2026
| 11.13 | New work for flute, accordion, violoncello, and objects (2026) Commissioned and premiere performance by trio 20º dans le noir |
| 11 | New work for sheng and violoncello (2026). Commissioned and premiere performance by Lichin Li (sheng) and Mariel Roberts (cello) |
| 10 (TBC) | Curator and host, Heiner Goebbels Residency |
| 6 | Concupiscentia Femina II 女色 for sheng, saxophone, and piano (2025-26). Commissioned and premiere performance by Lichin Li (sheng) and Duo NéMeu |
| 3.24 | Special talk (guest artist/scholar), The Erotic and the Melancholy of a Sincere Postmodern Identity: cinematic spaces and vulnerable time, at the CMUACC (Chiang Mai University Art and Culture Centre) |
| 2.8 | HOME 家 for 4 performers (2021/2025). Premiere performance by Lola Malique, Shao-Wei Chou, and Yu-Chiao Yang. |
| 2.7 | Double Jeopardy (2014, 12-instrument vers.) |
2025
10.9 (12h) | Featured speaker, Loft Hour |
| 5.20 | through the glass of Chrysocolla for bass flute, zheng, and electronics, with video (2021-22) Performance by AIR Contemporary Music Collective |
| 5.9 | Pale Fire (for solo piano and electronics) (2014) and Agnes, [our love and her apparition] (2019) Video installation show at Zürcher Hochschule der Künste, co-curated with Maria Sorensen, as part of das Lange Nacht. |
| 4.6 | Concupiscentia Femina for baritone, trumpet, clarinet, trombone, electronics, and video(2024-25) Commissioned and premiere performance by ensemble loadbang, with the support of NCAF (國藝會) of Taiwan |
2024
| 12 | Primary Investigator, "Interview with Klaus Theweleit" (co-authors: Maria Sorensen, Dorothee Richter) Published on OnCurating Zürich/Berlin, Online |
| 10 | Video artist, Videos for Helmut Oehring's "Auge/Zunge" (2024), with Helmut Oehring's "Auge/Zunge" by Shao-Wei Chou (bass flute, partial SignMomiChoreo), trio 20º dans le noir concert. Le Pavillon de la Sirène, Paris, France |
| 9.28 | Video artist, Videos for Helmut Oehring's "Auge/Zunge" (2024) displayed as an installation, ensemble Soundinitiative's ICE/Noirlac performance. |
| 8.24 (14h30) | ...à..." (2019) Asia premiere performance by Shao-Wei Chou, Studio Nekton (宇宙微波)'s multimodal program place/displace The Players Theater of NTU (Taiwan National University) Center for the Arts 台灣大學藝文中心遊心劇場, Taipei, Taiwan |
| 8.23 (19h30) 8.24 (19h30) | Haiku, Kpop, sausage, rated (R) (2024, partial) premiere performance by Shao-Wei Chou & Mu-Xuan Lin, Studio Nekton (宇宙微波)'s multimodal program Speak, transparence The Players Theater of NTU (Taiwan National University) Center for the Arts 台灣大學藝文中心遊心劇場, Taipei, Taiwan |
8.23 (19h30) | Curator/dramaturg/stage design/media, Studio Nekton (宇宙微波)'s multimodal program Speak, transparence and place/displace The Players Theater of NTU (Taiwan National University) Center for the Arts 台灣大學藝文中心遊心劇場, Taipei, Taiwan |
| 6.26 | Haiku, Kpop, sausage, rated (R): episode "Impressive Sausage" (2024, partial), presentation as part of Studio Nekton (宇宙微波)'s multimodal program Speak, transparence pre-debut presentation (une étape de travail) Le Pavilion de la Sirène (le foyer), Paris, France |
| 6.26 | Curator/dramaturg, Studio Nekton (宇宙微波)'s multimodal program Speak, transparence pre-debut presentation (une étape de travail) |
| 4.26 | Double Jeopardy (2014, 12-instrument version) premiere performance by ICE (International Contemporary Ensemble) |
| 1.13 ~ 5.31 | The Co-Artistic Director, the curator, and the visual director of Studio Nekton (宇宙微波), working with composers Helmut Oehring and Catherine Kontz. Paris, Berlin, London (project partially supported by NCAF of Taiwan) |
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